Once upon a time, a dairy farmer fell in love with a girl half his age. She had come to help his mother out with the scrambled eggs, the polishing of brass and silver, the arrangement of camellia blooms in the shallow pink dish on the kitchen table. He didn’t know he was in love until, underneath the clothesline one day, she called him a ‘selfish pig’. The next day, he took her hand and led her outside to see the once-a-year bloom of the moonflower.
She, on the other hand, knew she was in love with the dairy farmer but she didn’t know what to do with the love. It felt like a disability, a heavy, sinking secret. As she cycled home each day, she would sometimes stop to eat an orange his mother had given her. The discarded seeds resembled hope but nothing ever grew from them.
They became best friends, confidantes, buddies. When her father died suddenly, the dairy farmer took her for a long drive. When his mother was admitted to hospital, the young girl sat with her for eight days and was holding her hand when she died.
You would think, wouldn’t you, that the unlikely couple would be united in their mutual grief but, instead, the earth seemed to shift, a strange chasm tossed them apart. The dairy farmer continued to milk cows and the young girl went to the city to train as a nurse. She figured she’d be a good nurse as she already knew about death, dying, and how the sight of a camellia bloom, or the scent of cow manure, can bring a person to their knees.




